Ξεχνώ σιγά σιγά τα όνειρα που είδα η που φαντάστηκα. Τα όνειρα ανθρώπων που θα θελα να είμαι και τα όνειρα που βλέπω. Φοβάμαι να μαρτυρήσω στην ηχo. Γιατί δεν έχω τίποτα να μαρτυρήσω. Γιατί δεν θα έχω τίποτα να μαρτυρήσω
Monday, September 16, 2013
Thursday, March 14, 2013
Final Major Project, Collaboration Project
Video of Mantis cannibalismpress for video
snapshot from videoThe reason I am interested in that aspect of the mantis is to make the viewer connect to the performance references and symbols easier.I will make costumes that compliment the performance contextually and conceptually. These will be worn against a very minimal background combining the aesthetic of clean architectural space within which a more organic visual is presented.
Mantis body part
After studying the Mantis form closer I decided which aspect I want to keep in my costumes. Stiffness, fragility, delicacy and that armour like exterior. I will use rice paper lightly shaded with watercolor to resemble the patterns on the mantis. The costumes will be torn during the performance by each one, following a pattern of deconstruction that is the basis of this performance as it deconstructs human relationships and in the end the human nature.
Stage design for the performance
The performance will begin with another element of deconstruction, a web that we will have between our teeth making a connection at the basis of our heads using the teeth as a meeting point. After this bond is revealed to the viewer we cut it and the performance becomes active.This visual is to present both a more raw aesthetic to the cannibalism idea and also to act as a symbol.Teeth symbolise both fight and nourishment as they are a tool used with our oral muscles to show aggression and threat( attacking, biting ) as well as affection and healing ( kissing, transporting food to another ones mouth). We will explore teeth more as the performance progresses and then we come to the second and main part.We then start interacting with each other in what we picture as a fight scene, biting each other.Posing a comparison of bites and love bites. two completely different actions in terms of motives but synonymous and here even tautonymous.Also I will incorporate mythical characters such as Kronos in exploring the idea thematology of Love and Cannibalism. As well as Algernon Swinburnes poem "The Leper" where he is said to compose a necrophilic peace of work."Her worn-off eyelids madden meThat were shot through with purpleonce"
This is part of the said poem that I will experiement on the performance visually.
Illustration of the poems descriptive visualAs for Cronos I am going to draw contextual aspects by a previous project that I did independently titled "Rea" (the wife of Kronos), in this project I re-wrote Kronos myth, changing the reasons of Kronos cannibalism to overwhelming love for his children and his wife, making Kronos a more aimiable character, posing the question of to what extend are actions driven by passion justifyable?
Costume for "Rea"The second body place connection point is at the level of our left and right hands accordingly. This will be done with a rope tied to the floor with a hook and then tied the two ends of the rope with our hands.As shown on the picture above.Givings us mobility to perform but also constraining us.When the last bond breaks the performance reaches an end. This will be done when one of us manages to reach one of the two knifes hanging on the each ones opposite wall.Betty Sfyri blog
elissavetsfyri.tumblr.com
Bibliography
Links;
http://en.wikipedia.org/wiki/Cronus
http://en.wikipedia.org/wiki/Mantis
http://www.youtube.com/watch?v=6hGuallLPcM
http://www.youtube.com/watch?v=imOTCERhLp0
http://www.poemhunter.com/poem/the-leper/
Wednesday, March 13, 2013
Final Major Project- Research

I start this
research on the basis that Art is knowledge. Related words to knowledge
are belief awareness and certainty. It can refer to the theoretical or
practical understanding of a subject and it originates from senses, intuition,
life observation and research. It is a primary form of knowledge. Through art
we can attain knowledge about the human psyche
Figures from
religions
There are
represented different ideas and critiques of the world
We can also
attain knowledge about history which couldn’t be attained by other sources.
Example:
scenes of everyday life in the prehistoric ages
By art making
we discover aspects of our self we weren't aware of and therefore obtain
self-knowledge. But where does art stop acting as an explanation of the cosmos
and starts defining it.
Explanation
and definition though similar terms here are used to express two completely
different terms. By explaining I mean that an artist will work as a reflection
of life, but also in that way changing and shaping it. We live in a world where
art imitates life and life imitates art.

Two terms that have changed through art are Love and Home Land. Love has gone over so many contexts and definitions that now has gotten an almost mythical nature. Perhaps we have forgotten its original form and maybe it does not exist anymore. What is closer to what love originated from we must look at the most celebrated and hated variable in the definition of love, monogamy. In nature the concept of monogamy is very rare and it is usually seen in wolfs, giraffes,.. Experts on the subject tell us that monogamous model of relationships in nature is to make a more helping environment for survival of the young. Two parents have more chances of surviving in the harsh conditions of nature than one. Humans are by nature polygamous species. This is an example of how survival based behaviours through the ages and the development of art( visual arts, literature) now are an idea, a poetic term. The idea of cheating ,of sexual behaviour rules did not exist. Usually we saw that humans were following the model of polygyny (few men with many women) because this was a natural way of increasing the species when it was need to. But now that we have a problem of overpopulation one may have thought that polyandry would be a natural tendency of the humans because it is like a natural birth control. However we see that humans follow a set of rules that does not accept that and discourages the natural set of development. Religious literature is a major factor in that process; in western cultures we see how polyandry (one woman that has many men) is condemned where Christianity is a popular religion and of course the most famous and controversial piece of literature, the Bible. This is how human intelligence can create term and emotions that did not exist. In my theory happened in the process of explaining love relationships and then defining them. Another book worth refereeing is Shakespearean love, Romeo and Juliet. Also Jane Eyre. Idolisation of love is the process of situations ans behaviours based on survival are now social and personal ideas, terms, ethics. Culture is the art of the many, (society) in psychology is referred as normality. Personal art is the interpersonal normality. As culture and people change so does art but as art changes so do people. But this is also where the mirror analogy is more apparent. The relationship of life and art is like two mirrors reflecting each other, a recursive system that hes no starting or finishing point. It is very hard to stand between two mirrors and distinguish which reflection came first. : “What is the meaning of all will to truth?”
Also thematologically I am experimenting with self portraying, so that I can explore my personal visual influences but also my interpersonal logic. For this purpose The main character is going to be a female, placed in an objective place, out of humanity and for she will be a character that was “born backwards, downed” . I am going to draw that character from my last project based on the book “Murderess” by Papadiamadis. For this project while doing a research I discovered something that I am going to use for this project. Basically I observed how old literature is perceived and used as a template in modern days.Questions that were posed back then, now are terms ans symbols. We are in our nature beings that like to live with symbolism. We want to represent because the reflection is more true than the object in front of the mirror sometimes. This is what art does it says lies that are build on something very true. And as time goes by , the more lies become trues, the truth does not matter because art and life without lies is not worth living.
video from the project Murderess, footage of this video will be used in the final piece and also as a template for the main character
Compositional idea for the main characters concept and aesthetic
PARTS FROM THE TEXT FOR THE FINAL MAJOR PROJECT
For one more moonless night
One from the lepers
caught in your white sheets, before you close your eyes
How beautiful you are
You suckled again Cleopatra's
bitten breast
Both by pathos and regrets
by challenge and will
and the poison from broken teeth
a snakes teeth
But I have in the past told you how I understand
for the bite is near the nipple
and it is hard to see when your eyes are blank
For one more moonless night
One from the lepers
caught in your white sheets, before you close your eyes
How beautiful you are
You suckled again Cleopatra's
bitten breast
Both by pathos and regrets
by challenge and will
and the poison from broken teeth
a snakes teeth
But I have in the past told you how I understand
for the bite is near the nipple
and it is hard to see when your eyes are blank
Bibliography;
books; Odyssey by Homer
Inferno by Dante
The Murderess by Papadiamadis
Ithaca by Cavafis
Penelopes despair by Ritsos
Ithaca by Christianopoulos
links; http://en.wikipedia.org/wiki/Monogamy
http://fitelson.org/woodward/strotz.pdf
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